Agency clients, multi-day shoots, real crews, real margins. Cutvey runs the business layer of commercial production — from bid to payment-gated master delivery.
Bids that hold up in procurement. Line-itemed proposals with optional add-ons, phased payment schedules (booking / production / delivery), and e-signature with an audit trail. When an agency forwards your proposal to their client, it should look like it came from a company that's done this before.
Crew at scale. A crew database with roles, day rates, kit fees, and W-9s on file. Book a DP, gaffer, sound mixer, and two swings onto a two-day shoot in minutes; day rates roll straight into the project budget so you watch margin in real time, not at wrap.
Call sheets that go out on time. Locations with parking and hospital, schedule blocks, weather pulled automatically, individual call times. Send tonight's sheet at a civilized hour instead of building it in a hotel lobby.
Versioned review for client chains. The agency reviews v1, the brand reviews v2, everyone comments with timecodes in one place — no more "which cut is this?" email archaeology. Version compare shows exactly what changed between cuts.
Usage rights and masters. Deliverables organized by spec (broadcast master, socials, cutdowns), released when the final invoice clears. Usage terms live in the contract where they belong.
Every project carries a budget: crew, gear, locations, post, markup. You see projected vs. actual margin while you can still do something about it. Most shops discover their least profitable client the year after; Cutvey shows you during the job.
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