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Video production contract template

A video production contract sets the scope, the fee and when it is paid, how many revisions are included, what happens if the shoot moves, who gets releases, what the client may do with the film and when files are delivered. Below are twelve sample clauses you can edit here, then copy, download or print, with a plain-words note on each.

By Cutvey · Published October 26, 2026 · Updated November 2, 2026

Sample only, not legal advice. This wording is a starting point. It may not suit your job, and the rules differ from place to place. Have a lawyer where you work review it before you use it.
VIDEO PRODUCTION SERVICES AGREEMENT

This agreement is between [YOUR LEGAL NAME] ("Producer") and [CLIENT LEGAL NAME] ("Client") for the project "[PROJECT NAME]", dated [DATE].

1. SCOPE OF WORK
Producer will provide the services and deliverables described in the proposal dated [DATE], which forms part of this agreement. Work outside that scope will be quoted in a written change order, which both parties sign before the work begins.

2. FEES AND PAYMENT
The total fee is [$AMOUNT], plus any sales tax that applies. A retainer of [50]% is due on signing. It holds the production dates and is not refundable once those dates are reserved. The balance is due on Client's approval of the final cut and before delivery of the final files. Invoices are due within [14] days. An unpaid balance accrues a late fee of [1.5]% a month, or the highest rate the law allows if that is lower.

3. REVISIONS
The fee includes [two] rounds of revisions on the main edit. A round is one set of notes, gathered and sent together, followed by one updated cut. Further rounds are billed at [$RATE] an hour, quoted before the work starts. Notes received more than [10] business days after a cut is sent count as a new round.

4. CANCELLATION AND RESCHEDULING
Client may reschedule a shoot day once at no charge with at least [7] days' written notice. If Client cancels or reschedules with less notice, the retainer is kept and Client pays any costs already committed, such as crew holds, rentals, travel and permits.

5. WEATHER AND EVENTS OUTSIDE OUR CONTROL
An exterior shoot day lost to weather is moved to the next date that suits both parties, at no fee. Costs already committed may be billed at cost. Neither party is liable for delay caused by events outside its reasonable control.

6. CLIENT RESPONSIBILITIES
Client will give timely notes, access to its locations and people, and its logos, fonts and brand materials. Client confirms it has the right to any material it supplies, such as logos, music or footage.

7. RELEASES AND PERMITS
[Producer] will get signed releases from the talent Producer engages. [Client] will get releases from its own staff and customers who appear, and permission to film at its premises. [Producer] will get permits for public locations.

8. USAGE AND OWNERSHIP
On full payment, Client may use the final deliverables [worldwide, without time limit] for [its website, social channels, email and presentations]. Broadcast and paid advertising need a written extension. Producer owns the raw footage, project files and unused material, and may show the finished work in its portfolio unless Client asks in writing that it does not.

9. DELIVERY
Final files are delivered after payment in full, by download link, in the formats listed in the proposal. Producer will keep the project files for [12] months after delivery. After that Producer may delete them.

10. LIMIT OF LIABILITY
Each party's total liability under this agreement is limited to the total fee. Neither party is liable for indirect or consequential loss. Producer is not responsible for loss caused by Client's late notes or missing materials.

11. GOVERNING LAW
This agreement is governed by the laws of [STATE]. Any dispute will be heard in the courts of [COUNTY, STATE], unless both parties agree to mediation first.

12. ENTIRE AGREEMENT
This agreement and the proposal are the whole agreement. A change is valid only in writing, signed by both parties.

Producer: ______________________  Name and title: ______________  Date: __________
Client: ________________________  Name and title: ______________  Date: __________

Prefer Word? Download the .docx version, word for word the template above, before your edits.

On this page
How to use itWhat each clause protectsThe revision clause, worked throughUsage, in plain wordsHow Cutvey does thisFrequently asked

How to use it

  1. Fill in both legal names, the project, the proposal date and the fee.
  2. Choose the retainer percent, payment days and late fee you will really charge.
  3. Set the number of revision rounds and the hourly rate for more.
  4. Decide who gets each kind of release and permit.
  5. Write the usage you are selling, and leave broadcast and paid ads out unless they paid for them.
  6. Have a lawyer where you work review it, then send it with the proposal.

What each clause protects

ClauseWithout itWhat to decide
Scope of work"We thought the cutdowns were included"Attach or name the proposal
Fees and paymentA retainer the client thinks is refundableRetainer percent, due days, late fee
RevisionsA fifth round on a two-round jobRounds, what a round is, the hourly rate after
CancellationCrew paid, nothing billedNotice period and committed costs
WeatherAn argument on the morning of the shootWho decides, and what is billed
Releases and permitsFootage you cannot useWho gets which release
Usage"All rights, everywhere, forever" given away freeWhere, how long, and the price to extend
DeliveryFiles sent before the balance is paidPayment first, then the link
Limit of liabilityA claim larger than the jobCap at the fee
Governing lawA dispute in the client's home stateYour state and county

The revision clause, worked through

On the sample job the fee is $13,300 and two rounds are included. The client sends notes on the first cut, then sends a second email of notes the next day. Under clause 3 those count together as round one, because a round is one set of notes gathered and sent together, and the editor can say so politely. If the client asks for a third round, it is billed at the hourly rate, quoted first: three hours at $120 is $360. The guide how many revision rounds covers the wording and the conversation.

Usage, in plain words

Usage is the clause that changes the price most. Web and social for as long as they like is normal for a brand film. Broadcast and paid ads usually need a bigger music license and sometimes a talent buyout, so the sample keeps them out and offers an extension. Price that extension when they ask, and put it in a change order.

How Cutvey does this

In Cutvey your terms sit inside the proposal the client signs, so the proposal is the agreement. When you want a separate contract, build one from your own clause library with merge fields, send it for e-signature, countersign it and keep the signed copy with the job. A signed document cannot change, and every signature has a certificate. Standalone contracts and the clause library show how.

Frequently asked

Is this contract enforceable?

It is a sample to start from. Whether a clause holds depends on where you and the client are, so have a lawyer review it once, then reuse it.

Retainer or deposit?

Many studios say retainer, because it signals that the money holds the date and is not returned. What matters is what the clause says, so say it plainly.

Do I need a contract for a small job?

Yes. A short job with no contract is where most unpaid invoices come from. The proposal template can carry the key terms when the job is small.

Goes with this stage of a job: Win the work. More free paperwork on the templates page, and free tools that work in your browser.

Or let the proposal be the contract.

In Cutvey the client signs the proposal, and that signature is the agreement. 14 days free, no card needed.